{"created":"2023-05-15T14:44:31.922590+00:00","id":1526,"links":{},"metadata":{"_buckets":{"deposit":"59d5fe69-9172-4003-9517-3458f7cca04c"},"_deposit":{"created_by":3,"id":"1526","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"1526"},"status":"published"},"_oai":{"id":"oai:meigaku.repo.nii.ac.jp:00001526","sets":["205:206:212"]},"author_link":["2788","2787"],"item_2_alternative_title_19":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Verbal Encoding of Musical Pitch by Learner of Transposing Instruments : Comparison between Absolute Pitch Possessors and non-Possessors"}]},"item_2_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-08","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"80","bibliographicPageStart":"69","bibliographicVolumeNumber":"27","bibliographic_titles":[{"bibliographic_title":"明治学院大学心理学紀要 = Meiji Gakuin University bulletin of psychology"}]}]},"item_2_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本研究は、移調楽器の学習者がどのように音楽的音高の言語的符号化をおこなっているか、その多様性に注目し、実態を明らかにした。調査は符号化の多様な事例を明確にしていくことを目的とし、10名の移調楽器学習者が、実際の音楽活動の場で、どのように音高の符号化をおこなっているのかを、インタビューと歌唱テストによって調査した。また、異なる符号化の事例が、絶対音感などの音感とどのような関係にあるのかを検討するために、すべての参加者に絶対音感テストを実施し、その成績と符号化の方略の関連に関しても、個別に考察していった。考察の結果、ほとんどの参加者は、なんらかの形で音高の符号化をおこなっているが、音感の違いや演奏する楽器によって、符号化の運用の方略は同一ではないことが浮かび上がった。非常に正確な絶対音感をもっている者は、移調楽器を演奏する時でも、移調譜に基づいて音高を符号化して聴くことが難しいことがわかった。一方で、絶対音感をもっていない者に加え、ある程度の絶対音感をもっている者は、移調譜の音名で符号化ができている参加者もいることがわかった。これらの結果より、音高の符号化は、必ずしも絶対音感などに縛られたものではなく、複数の符号化システムを併用していくことも可能であることが示唆された。","subitem_description_type":"Abstract"},{"subitem_description":"This study aimed to examine what kinds of strategies the learner of transposing instruments use to encode musical pith into verbal syllables. Ten musicians who specialized in clarinet, trumpet, saxophone and horn were interviewed, addressing how the participants read the pitch height of the musical score, how they feedback the pitch height, and what kind of problems they had when playing the instruments. The results showed that several participants, both with AP and non-AP, reported that they could encode\nmusical pitch into written pitch ; encoding C into Do when playing piano, and encoding B♭ into Do when playing clarinet or trumpet. On the other hand, one participant with AP adhered to AP perception even when she played transposing instruments, and appealed that the difference between the pitch that actually sounded and the notated pitch was one of the most crucial obstacles in learning transposing instruments.\nAlthough the way of encoding musical pitch varies among the participants, the results showed that the possession of AP does not always limit the way of encoding musical pitch. There is a possibility that the AP possessors can adapt multiple encoding systems when playing different instruments.","subitem_description_type":"Abstract"}]},"item_2_description_40":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_type":"Other"}]},"item_2_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"【資料／Short Report】","subitem_description_type":"Other"}]},"item_2_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"2788","nameIdentifierScheme":"WEKO"}],"names":[{"name":"MITO, Hiromichi"}]}]},"item_2_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"明治学院大学心理学部"}]},"item_2_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1203367X","subitem_source_identifier_type":"NCID"}]},"item_2_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1880-2494","subitem_source_identifier_type":"ISSN"}]},"item_2_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"水戸, 博道"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-03-07"}],"displaytype":"detail","filename":"psycho_27_69-80.pdf","filesize":[{"value":"681.0 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"psycho_27_69-80.pdf","url":"https://meigaku.repo.nii.ac.jp/record/1526/files/psycho_27_69-80.pdf"},"version_id":"fd47146a-5177-4d8b-9e55-2304447ee4fc"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"言語的符号化","subitem_subject_scheme":"Other"},{"subitem_subject":"絶対音感","subitem_subject_scheme":"Other"},{"subitem_subject":"相対音感","subitem_subject_scheme":"Other"},{"subitem_subject":"移調楽器","subitem_subject_scheme":"Other"},{"subitem_subject":"Verbal Encoding","subitem_subject_scheme":"Other"},{"subitem_subject":"Absolute Pitch","subitem_subject_scheme":"Other"},{"subitem_subject":"Relative Pitch","subitem_subject_scheme":"Other"},{"subitem_subject":"Transposing Instrument","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"移調楽器学習者による音楽的音高の言語的符号化 ―絶対音感保有者と非保有者の比較をとおして―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"移調楽器学習者による音楽的音高の言語的符号化 ―絶対音感保有者と非保有者の比較をとおして―"}]},"item_type_id":"2","owner":"3","path":["212"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-05-11"},"publish_date":"2017-05-11","publish_status":"0","recid":"1526","relation_version_is_last":true,"title":["移調楽器学習者による音楽的音高の言語的符号化 ―絶対音感保有者と非保有者の比較をとおして―"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-05-16T18:32:40.865655+00:00"}